
Starring Steven Seagal, Treach, Mari Marrow, and Kevin Tighe
Directed by Don E. FauntLeRoy
Back of the Box description: Former thief Harlan Banks (Seagal) sets out to unleash explosive vengeance on the people who set him up for a crime he didn’t commit.
In the 16 months since the idea of #ActionDoneWells was conceived, I’ve made 4 movie posts. This makes number 5, and with my desire to return to blogging semi-regularly, I’m hoping to do at least one of these a month. Today’s pick was a blind selection – i pulled a case without looking, got the DVD in without checking out the label, and a movie started without looking at the screen. With all the possibilities, pulling a Seagal made me happy, but I don’t even know where to begin with this movie.
It’s a lackluster performance from Seagal, who mumbles his way through some of the dialogue. Especially at the beginning, where I second guessed watching it entirely. You can tell when his stunt double is in a scene, as he’s from the back the entire time, with close-ups of Seagal edited in. And the sqibs are heavy-handed during the gun-fights, where footage is reused, as I saw at least one dude get shot exactly the same way twice and another using two different angles of the same shot.
Speaking of reused footage – there is one really good scene in this movie, which is a car chase through the streets of Vegas (E Flamingo, to be exact). I was wondering if they actually filmed in Vegas, and one of the hotels I caught was called Maxim, so I looked it up. And it was a Vegas hotel – but was closed in 2001 (famously known as the hotel Tupac was shot in front of). I scratched my head a little, but then looking at “trivia” for this film, I learned that chase scene was reused footage from a 1997 movie called Top of the World (which I’m definitely going to check out at some point, if it’s available).
There is also a prison riot scene, in which Seagal and Treech escape the prison, which was reused footage from the 2002 Wesley Snipes movie Undisputed.
This movie really seemed like a cookie cutter made movie, and knowing how difficult Seagal is to work with, I think it shows. There is one prison fight scene where Seagal is shown fighting, and I found out it wasn’t acting. According to IMDB trivia:
In the scene where Steven Seagal’s character beats Robert Miano’s character, that wasn’t acting. Seagal disliked Miano because his passes on actress Mari Morrow were turned down, and she was going out with Miano. Seagal did break Miano’s arm – the shot were the arm is broken and Miano’s yelling in pain, were real. Miano took the production company to court and the matter was settled for an undisclosed sum of money.
Parts of the plot (including Seagal’s wife having visions) didn’t seem to have any kind of payoff, and there was some kind of weird plot device involving a sacrifice that also went nowhere. Or maybe I just wasn’t paying close enough attention.
Overall, it’s not a great movie, but wasn’t a complete waste of my time either. Kevin Tighe (who I better know as Locke’s father on Lost seemed to have a good time with the little bit of screen time he did have. Two random things that I do want to share, to the point I took pics of them to include in this post. The first is when Seagal and his girl are driving into Vegas, they pass a Children’s Hospital that is “Going Out of Business”.

I kid you not, that visual made me unexpectedly laugh. It was jarring almost, so out of left field. The second is, Seagal plays a thief who is more like Robin Hood, taking from drug dealers and giving back to the community. So at the end of the film, part of the score goes to the Children’s Hospital, which gets to stay open! And Seagal stops by to visit one random little girl:

Yes folks, that is Chloë Grace Moretz. Maybe I missed how she played into the plot of the movie as well. But she did share screen-time with the legend himself.
This is one of those films I don’t mind spending an afternoon with it, but it’s not one I’m going to return to. Also, according to IMDB Trivia: In a 2020 interview, director Don E. FauntLeRoy stated that producer Avi Lerner sent him to Steven Seagal with a copy of the script and orders to get him signed on. That accomplished, FauntLeRoy returned home only to be immediately contacted by Seagal, who had fired the original director and camera operator and demanded that FauntLeRoy be brought in to direct. Eventually an agreement was worked out wherein FauntLeRoy would only direct scenes involving Seagal while someone else handled the rest of the film – which, when taking Seagal’s habit of keeping working hours to a minimum, meant that FauntLeRoy spent very little time on the film but still earned a directing credit. So who is to say who the real director of this movie was.